Monday, 21 November 2016

MY PRESENTATIONS - SEMESTER 3 Batch 2015-17

1.)Paper no. 9 – The Modernist Literature
Title:- “Waiting” in “Waiting for Godot” and Bollywood movie “Waiting”(2015)






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2.)Paper no. 10 – The American Literature

Title:- Deconstruction of “Solah Shringar” with reference to “The Scarlet Letter”


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Deconstruction of Solah Shringar with reference to "The Scarlet Letter" from vaidehi Hariyani


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3.)Paper no. 11 – The Postcolonial Literature

Title:- Use of colour in Popular Media with reference to “Black Skin and White Masks”





Thursday, 10 November 2016

Summarise “Discourse on Colonialism” by Aimé Césaire

Summarise “Discourse on Colonialism” by Aimé Césaire


Prepared by
Vaidehi Hariyani
Roll no. 18
Paper 11 – The Post-Colonial Literature

Submitted to – Smt.S.B.Gardi, Department of English

Maharaja Krishnakumarsinhji Bhavnagar University


Introduction:-

Discours sur le colonialisme (French; Discourse on Colonialism) is an essay by Aimé Césaire, a poet and politician from Martinique who helped found the négritude movement in the Francophone literature. Césaire first published the essay in 1950 in Paris with Editions Réclame, a small publisher associated with the French Communist Party (PCF).The 1955 edition is the one with the widest circulation today, and it serves as a foundational text of postcolonial literature that discusses what Césaire described as the appalling affair of the European civilizing mission. Rather than elevating the non-Western world, the colonizers de-civilize the colonized.





Césaire’s Discourse on Colonialism argues that colonialism was not—and had never been—a benevolent movement whose goal was to improve the lives of the colonized; instead, colonists' motives were entirely self-centered—i.e., economic exploitation. By establishing these colonies and then exploiting them.

Césaire begins his discourse by a severe acquisition on the Western Civilization.

“A civilization that proves incapable of solving the problems it creates is a decadent civilization.
A civilization that chooses to close its eyes to its most crucial problems is a stricken civilization.
A civilization that uses its principles for trickery and deceit is a dying civilization.”


According to him, the western civilization has done all the above crimes and it is the victim of such crimes. As we say, the circle of life. What we give to others we get.

With the help of Marxist theory Césaire proceeds further that Western civilization has been shaped by “two centuries of bourgeois rule” and is incapable of solving two major problems to which it has given rise:

“the problem of the proletariat and the colonial problem; that Europe is unable to justify itself either before the bar of reason or before the bar of conscience; and that, increasingly, it takes refuge in a hypocrisy which is all the more odious because it is less and less likely to deceive.”

The colonized very well know that their “masters” are lying therefore they are weak. Therefore Europe is indefensible.

 Colonialism is “a collective hypocrisy that cleverly misrepresents problems, the better to legitimize the hateful solutions provided for them” as caesar writes. Colonialism’s supposed to be on a civilizing mission,and that is the biggest lie of Western civilization. Colonialism  was never out to do any good.It was purely  designed to discover, to control, to exploit, by deceit and force, the lands, goods and persons of other people. The chief culprit in the hypocrisy of colonialism, Cesaire argues, “is Christian pedantry, which laid down the dishonest equations Christianity = civilization, paganism = savagery, from which there could not but ensue abominable colonialist and racist consequences whose victims were to be the Indians, the Yellow peoples, and the Negroes”

Colonialism uncivilized, dehumanizes, maltreats and destroys the colonizer. Anytime colonialism commits a crime against the humanity of the colonized, there is consistent erosion and degrading of the colonizer’s humanity and civilization.

 He puts it expressively:

“ . . . each time a head is cut off or an eye put out in Vietnam and in France they accept the fact, each time a little girl is raped . . . each time a Madagascan is tortured and in France they accept the fact, civilization acquires another dead weight, a universal regression takes place, a gangrene sets in, a center of infection begins to spread . . .” a poison “is distilled into the veins of Europe and slowly but surely, the continent proceeds toward savagery”

Here he gives example of Hitler. Why this dictator was there in Europe only?
The generation has to pay prize of their forefathers who exploited the people like Niggers, Indians etc. Their sweat and blood oozes in form of Hitler.

Césaire makes the bold statement that Nazism is so infamous in Europe because it committed the same atrocities that the Europeans did to other, non-white nations. Slavery, mass extermination, economic exploitation, racial/social engineering, and so forth.

 He cites the Soviet Union as a possible source of post-colonial liberation. That state is just imperialism with a new coat of paint. He also does make a few wrong statements which modern anthropology has corrected, but he'd likely be fine with that. In fact, he'd be proud to see the advances in some of these fields.

Colonization, Césaire places with "thingification". The relations inborn in colonization are relations of force and control. They are relations in which

 "there is room just for constrained work, terrorizing, weight, the police, tax collection, robbery, assault, obligatory harvests, question, pomposity, self-smugness, swinishness, brainless elites, debased masses . . . of control and accommodation which transform the colonizing man into a classroom screen, an armed force, a sergeant, a jail protect, a slave driver, and the indigenous man into an instrument of creation".

The colonized are not individuals deserving of human rights or human regard, however things simply to be utilized, driven around, beaten and, when the need emerges, slaughtered for the sake of a peace established in bad form and savageness.

For Césaire, imperialism is an absolutely damaging undertaking.

It is "about social orders depleted of their quintessence, societies stomped all over, foundations undermined, lands seized, religions crushed, heavenly aesthetic manifestations obliterated, phenomenal conceivable outcomes wiped out . . . men yielded . . . torn from their divine beings, their property, their propensities, their life . . . educated to have a feeling of inadequacy, to tremble, bow, lose hope and carry on like flunkeys . . . about common economies obliterated . . . horticultural advancement situated exclusively toward the advantage of the metropolitan nations; . . . about the plundering of items . . . of crude materials"

 He rejects Europe’s guarantee that it conveyed material advance and Europeanization to Africa. In all actuality, colonization had really harmed material advances.

Cesaire claims that the racism of Europe does not bother him. He only examines it. And he is appalled at the hypocrisy and ignorance with which the cream of French society pretended that the French people were a superior race, destined to rule the world and to keep the black and yellow peoples in their own places.

While rejecting the Europe, Césaire warns the colonized to be aware of United States of America
 Césaire ends his discourse on colonialism by writing that the salvation of Europe,

 "is not a matter of a revolution in methods. It is a matter of the Revolution - the one which, until such a time as there is a classless society, will substitute for the narrow tyranny of a dehumanized bourgeoisie the preponderance of the only class that still has a universal mission, because it suffers in its flesh from all the wrongs of history, from all the universal wrongs: the proletariat".

Conclusion:-

Thus, in a simple style Aimé Césaire has described and analyses a question that long has been on top. It's that "Europe is Indefinable". Colonizers says that they are coming to improve the life of Barbary, but in fact they come just to accomplish their profit, and this is what they are doing  in the past and for the moment.

Reference:-

·       Google Images

Sunday, 6 November 2016

"To the Lighthouse" as a Daily Soap

Name: Hariyani Vaidehi C.

Roll no- 18

Year - 2015-17

M.A Semester - 3

Paper no.(9) The Modernist Literature

Email Id: - vaidehi09hariyani@gmail.com


UNIT : - 2

Assignment topic:
 "To the Lighthouse" as a daily soap


Submitted to:
Smt.S.B.Gardi
DEPARTMENT OF ENGLISH,
MAHARAJA KRISHNAKUMARSINHJI  BHAVNAGAR UNIVERSITY,
 BHAVNAGAR, GUJARAT.
"To the Lighthouse" as a Daily Soap


“To the Lighthouse” is a 1927 novel by Virginia Woolf. The novel centres on the Ramsays and their visits to the Isle of Skye in Scotland between 1910 and 1920.



With the development of Television, there is tremendous increase in the series of Daily Soaps. By hearing the word “daily soap” we get a visual effect of the typical family drama, the over down to earth female protagonist, tension between husband and wife, some young people with independent thinking and so on. In the contemporary time, there are shows reflecting the social awareness, but here are we talking about the typical daily soap. Of course there is one character that is offbeat.

In this assignment we will see “To the lighthouse” as a daily soap.
Mostly daily soaps are divided into episodes. “To the lighthouse” is also divided into three episodes.




“To the lighthouse” is a story of Mr. Ramsay and Mrs. Ramsay and their eight children (Cam, Nancy, Rose, Prue, Roger, Jasper, Andrew, James), set in the summer home in the Hebrides (a group of islands west of Scotland). This story also contains many guests of the Ramsays like Charles Tansley, Lily Briscoe, Paul Rayley, Minta Doyle, William Bankes and Augustus Carmichael. There are many other characters like Mrs. McNab, Macalister and Macalister’s boy.

First EpisodeThe Window

The first episode of this show is “The window”. It begins with the entry of the main heroine of the novel Mrs.Ramsay. The atmosphere in the beginning few minutes is quite happy. Mrs.Ramsay is busy in conversation with her son James Ramsay. He is the apple of her eye. James is overjoyed with the idea of visiting the lighthouse. Mother and son both seems to be happy and excited.

“Yes, of course, if it’s fine tomorrow,” said Mrs Ramsay. “But you’ll have to be up with the lark,” she added.
To her son these words conveyed an extraordinary joy, as if it were settled, the expedition were bound to take place, and the wonder to which he had looked forward, for years and years it seemed, was, after a night’s darkness and a day’s sail, within touch.

Six-year-old James Ramsay wants desperately to go to the lighthouse, and Mrs. Ramsay tells him that they will go the next day if the weather permits. James reacts delightedly,

But but but…..soon there is

“Kahaani mein twist hai”

 Mr. Ramsay tells him coldly that the weather looks to be foul. James resents his father and believes that he enjoys being cruel to James and his siblings.

“But,” said his father, stopping in front of the drawing-room window, “it won’t be fine.”

Thus the beginning of this episode is quite dramatic.

Mrs. Ramsay can be analysed as the typical Indian telly  “Bahu” who takes care of the household as well as all the family members, pampers the male members of the house, perfect host for the guests and like Tulsi, Paravati etc. she is a “Pativrata Patni”. She also has a default application of “Match-making” in her mind. In this episode, Mrs. Ramsay wants Lily to marry William Bankes, but Lily resolves to remain single. Mrs. Ramsay does manage to arrange another marriage, between Paul Rayley and Minta Doyle, two of their acquaintances.

Lily Briscoe is an offbeat character of this story. She is opposite to Mrs.Ramsay. Lily is an artist and she portrays the independent woman, who is against pampering male ego. She is the one character which gives the main heroine a bit complex.

Further in this episode we see, the course of the afternoon, Paul proposes to Minta, Lily begins her painting, Mrs. Ramsay soothes the resentful James, and Mr. Ramsay frets over his shortcomings as a philosopher, periodically turning to Mrs. Ramsay for comfort. That evening, the Ramsays host a seemingly ill-fated dinner party. Paul and Minta are late returning from their walk on the beach with two of the Ramsays’ children. Lily bristles at outspoken comments made by Charles Tansley, who suggests that women can neither paint nor write. Mr. Ramsay reacts rudely when Augustus Carmichael, a poet, asks for a second plate of soup. As the night draws on, the guests come together to make a memorable evening.

The joy, however, like the party itself, cannot last, and as Mrs. Ramsay leaves her guests in the dining room, she reflects that the event has already slipped into the past. Later, she joins her husband in the parlour. The couple sits quietly together, until Mr. Ramsay’s characteristic insecurities interrupt their peace. He wants his wife to tell him that she loves him. Mrs. Ramsay is not one to make such pronouncements, but she concedes to his point made earlier in the day that the weather will be too rough for a trip to the lighthouse the next day. Mr. Ramsay thus knows that Mrs. Ramsay loves him. Night falls, and one night quickly becomes another.
This way the first episode ends.

Second EpisodeTime Passes

The second episode “Time passes” passes quickly. It takes place in ten years. It takes a leap of time. Normally things changes in serials when there is a leap of time. Similarly here we see things are changed.

 World War 1 breaks out across Europe. Mrs. Ramsay dies suddenly one night. Andrew Ramsay, her oldest son, is killed in battle, and his sister Prue dies from an illness related to childbirth. The family no longer vacations at its summerhouse, which falls into a state of disrepair: weeds take over the garden and spiders nest in the house. Ten years pass before the family returns. Mrs. McNab, the housekeeper, employs a few other women to help set the house in order. They rescue the house from oblivion and decay, and everything is in order when Lily Briscoe returns.

Mrs. McNab is the housekeeper, like all the houses in the soap has that “Wafadar Naukar”. She plays a vital role in organising things like Mrs.Ramsay with the help of Lily Briscoe.

The death of the main protagonist makes everything chaotic, but when Lily Briscoe returns everything is in order. We can say that, in serials many times a main female character dies and is replaced by other female character. Similarly here Lily Briscoe who might be able to replace Mrs.Ramsay.
For that you need to catch up the next episode.

Third Episode“To the Lighthouse”

This is the last episode. It is similar to the first episode as the plan of visiting the lighthouse is again been discussed and also executed, but this time it is Mr.Ramsay who takes the initiative.

We can say that he has finally realised the value of Mrs.Ramsay.  Mr. Ramsay declares that he and James and Cam will journey to the lighthouse. On the morning of the voyage, delays throw him into a fit of temper. He appeals to Lily for sympathy, but, unlike Mrs. Ramsay, she is unable to provide him with what he needs. Lily is not the one, who will replace Mrs.Ramsay. She is an artist with a vision and her focus is on that rather than becoming the typical women.

The Ramsays set off, and Lily takes her place on the lawn, determined to complete a painting she started but abandoned on her last visit. James and Cam bristle at their father’s blustery behaviour and are embarrassed by his constant self-pity. Still, as the boat reaches its destination, the children feel a fondness for him. Even James, whose skill as a sailor Mr. Ramsay praises, experiences a moment of connection with his father, though James so wilfully resents him. Across the bay, Lily puts the finishing touch on her painting. She makes a definitive stroke on the canvas and puts her brush down, finally having achieved her vision.

In this way the story ends in three episodes.

In most of the serials, we are taken into the interior monologue of the characters whenever they are upset or they are planning and plotting. 



Virginia Woolf has used this technique very well in her writing with the help of brackets. It is quite easy to show this on television with the help of audio visual effect, but difficult to show in writing is quite well. Though in daily soap mostly the vamps are shown this way, but here we are given idea of each and every character.

For example-
In the first episode, when Mr.Ramsay rudely denies to visit the lighthouse. At that time James feels something like this….
Had there been an axe handy, a poker, or any weapon that would have gashed a hole in his father’s breast and killed him, there and then, James would have seized it. Such were the extremes of emotion that Mr Ramsay excited in his children’s breasts by his mere presence; standing, as now, lean as a knife, narrow as the blade of one, grinning sarcastically, not only with the pleasure of disillusioning his son and casting ridicule upon his wife, who was ten thousand times better in every way than he was (James thought)

In the end, we see the happy reunion of father and children (especially James). Also completion of the art by the artist gives us the feel of happy ending. This is the partial end which is seen in all the daily soaps.
If we give some stress to our mind, many new things can be interpreted. It is a story with open ending.

So we can say,


मेरे दोस्त पिक्चर अभी बाकी है………….”


Reference:-

Thursday, 27 October 2016

Representation of Nature in the Poetry of William Wordsworth and Robert Frost



Name: Hariyani Vaidehi C.

Roll no- 18

Year - 2015-17

M.A Semester - 3

Paper no.(10) The American Literature

Email Id: - vaidehi09hariyani@gmail.com


UNIT : - 1

Assignment topic:
 Representation of Nature in the Poetry of William Wordsworth and Robert Frost


Submitted to:
Smt.S.B.Gardi
DEPARTMENT OF ENGLISH,
MAHARAJA KRISHNAKUMARSINHJI  BHAVNAGAR UNIVERSITY,
Representation of Nature in the Poetry of William Wordsworth and Robert Frost




Nature is one of the favourite and very recurrently used themes in different arts like poetry, painting and movies. Artist or Writers are always fascinated with nature. All the writers are normally fascinated with nature. Some of them are also habituated to go for a walk in the company of nature and solitude. Nature has always been a part and parcel of literature.

Nature stands as source of inspiration for all the poets, but the poets have represented it differently. The poets of different Era have their own unique way of presenting art.

Here we are going to discuss how the romantic poet William Wordsworth and the American poet Robert Frost differ in representation of Nature in their poetry.

First let us see what is Romanticism?

Romanticism (also known as the romantic era or the romantic period) was an artistic, literary and intellectual movement. It originated in Europe towards the end of 18th century. (Wikipedia)

One of the characteristic of the romantic era was “a deepened appreciation of the beauties of nature”. The Romantic Movement in English Literature is generally described as “Return to Nature”. Nature was idealised and there was an artistic freedom.

As it is mentioned in History of English Literature by W.J.Long,

“Find tongue in trees, books in the running brooks,
  Sermons in stones and good in everything.”

Nature was looked upon as mother. Nature is used by the poets to appreciate the beautiful powerful force in human world. Poets like Wordsworth, Shelley, Scout, Keats and many other poets beautify nature in one or the other way.

On one hand there is a romantic poet, William Wordsworth for whom “Poems begins in delight and ends in delight”. On the contrary there is Robert Frost who looks at the nature with different insight.

According to Robert Frost,
“The figure a poem makes. It begins in delight and ends in wisdom.”

Representation of Nature in the poetry of William Wordsworth:-

Romantic poets were always fascinated by nature’s power and wonder.
William Wordsworth (7 April 1770 – 23 April 1850) was a major English Romantic poet who, with Samuel Taylor Coleridge, helped to launch the Romantic Age in English literature with their joint publication Lyrical Ballads (1798).

Nature was one of the great sources of inspiration for William Wordsworth. He was the high priest of Nature .He shows nature to be gentle nurturing force that teaches and soothes humanity.

In his he mentions in “LINES WRITTEN A FEW MILES ABOVE TINTERN ABBEY” from “Lyrical Ballads”,
“Nature never did betray the heart that loved her.”

Throughout Wordsworth’s work, nature provides the ultimate good influence on the human mind. He lived amidst the lap of nature in the Lake District. Thus, nature had been a part of his everyday life. Wordsworth touches the development of his love for nature in “Tintern Abbey”. In his childhood, Nature was simply a playground for him. Then he began to love nature and gradually he realised Nature’s role as a teacher and educator.

I cannot paint
What then I was. The sounding cataract
Haunted me like a passion: the tall rock,
The mountain, and the deep and gloomy wood,
Their colors and their forms, ere then to me
An appetite; a feeling and a love,
That had no need of a remoter charm,
Un-borrowed from the eye [II. 75-83]

Wordsworth glorifies nature and also reveals inner soul of nature in his work.
“One impulse from the vernal wood
  May teach you more of man
  Of moral evil and of good
  I hand all the sages can.” – “The Tables Turned

In Wordsworth’s poetry we see a natural setting of green pastoral countryside, the simple lifestyle and the beautiful moments with nature “recollected in tranquillity”.  

For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils. – “The Daffodils

He achieved morality from nature. Here he meant morality as positivity.

“The anchor of my purest thoughts
  The nurse, the guide, the guardians of my
   heart and soul
 And of all my moral beings.” 
-“Lines Written a Few Miles Above Tintern Abbey.

Wordsworth believed that nature has object of soul and living spirit. His poetry has a touch of spirituality.

“In all things, in all natures, in the stars
 This active principle abides, from link to link
 It circulates the soul of all the worlds.”

Wordsworth loved nature but he did not fear nature. Thus, Wordsworth was a worshipper of nature. He did not recognize the ugly side of nature like Robert Frost.

Representation of Nature in Frost’s poetry:-

Robert Lee Frost (March 26, 1874 – January 29, 1963) was an American poet. His work was initially published in England before it was published in America. He is highly regarded for his realistic depictions of rural life.
Robert Frost has many themes in his poetry. One of the main themes is nature.

Frost is a great love of nature, and his love too, like that of Wordsworth is regional. He lived near north of Boston which forms background to his poetry. The poetry of Robert Frost contains two major themes of nature: the exploration of beauty and nature, and the interaction between man and nature.

Frost’s love for nature is more comprehensive, many-sided and all-inclusive than that of Wordsworth. Wordsworth loved to paint the beauty of nature, but Frost has a keen eye for the beauty of nature as well as the harsher and unpleasant side of nature.

“Spring Pools” for example, begins with a innocent description of the pools and flowers which one sees in the woodlands in the early spring. Then suddenly the tone becomes grave:-

“The trees that have it in their pent-up buds
To darken nature and be summer woods -
Let them think twice before they use their powers
To blot out and drink up and sweep away
These flowery waters and these watery flowers
From snow that melted only yesterday.”

Spring generally is the season of birth but ushers in darkness.
Frost paints nature as dangerous and sinister.

“Design” is a small example which asks who is the murderer???
Of course “Nature”.

“I found a dimpled spider, fat and white,
On a white heal-all, holding up a moth
Like a white piece of rigid satin cloth --
Assorted characters of death and blight
Mixed ready to begin the morning right,
Like the ingredients of a witches' broth --
A snow-drop spider, a flower like a froth,
And dead wings carried like a paper kite.

What had that flower to do with being white,
The wayside blue and innocent heal-all?
What brought the kindred spider to that height,
Then steered the white moth thither in the night?
What but design of darkness to appall?--
If design govern in a thing so small.”

The flower hold the moth but nothing can stop the dark vigour of nature; the spider. Frost implies that darkness lurks everywhere. The nature is as dangerous as the spider.
May be that is what is law of nature and it has its own design.
Nature has an eco-cycle which works in its pattern. The law of nature operates and no idealism works in it.

We can see an example of eco-cycle:


One animal is a food of the other. That is how the cycle of nature works.
He speaks about the reality of nature, while Wordsworth idealises nature. 

Here we can compare both the poets with the characters from the film “Life of Pie”. Wordsworth can be compared with Pie Patel and Frost can be compared with Pie’s father.

Pie believed that all the soul in the nature is beautiful and loveable. He goes near the cage of lion and thinks that lion will behave like a friend. His father shows him the reality in a quite dangerous way. He keeps a goat in the cage and the lion eats it away.

 “Stopping by woods on a snowy evening” is another great example where we can see how Frost describes Nature:-
“Woods are lovely dark and deep
 But I have promises to keep
And miles to go before I sleep
And miles to go before I sleep”

The “Woods” are “Lovely”. We all like to spend some time in lovely woods, but soon we find paradox here. Woods are lovely but they are dark and deep.
Frost’s poem also has deep philosophical and moral meaning hidden. At this point we can say he is similar to Wordsworth.
The last lines of the poem suggest that whatever might happen but we have to move on.

One can argue that Frost represents nature in a negative style. If we observe minutely, he is more practical than Wordsworth. Wordsworth was blindly in love with nature. Frost keeps a balance and highlights the positive and negatives both the aspects of nature.


William Wordsworth
Robert Frost
    1.) Idealistic
         1.) Realistic
    2.) Positive aspect of Nature
2.)Negative as well as positive aspect of Nature
    3.) Worshipper
3.)Observer

In the poems of William Wordsworth and Robert Frost there are lots of natural elements in their poems. It is right to say that the theme of these two poets is Nature. They have written all their poems based on nature where nature plays a great role in their works. But William Wordsworth and Robert Frost are different in their representation of nature. Binaries of nature can be observed in their poems.


"Same theme, different insights"

References
·       English Literature: Its History and Its Significance for the Life of the English Speaking World:- William J. Long

·       Google Images